Construction Notes

June 5, 2017   /   byLaura Mae  / Categories :  Feeds

I am still trying to play catch up with all of my sewing projects.


This is my second version of Butterick 6413.  The beginning of the construction process is detailed here.


I decided to go all out with the leftovers of this very special silk/wool from my New York trip a few years back which was used for my 2014 Gala Gown.


Of course, a hand-picked lapped zipper was the obvious choice.  With the underlining and the heft of the fabric, I was not going to chance another invisible zipper snafu.


And there is always one seam that does not want to play nice and match up.  I won the battle, though.  


I did alter the construction quite a bit from the original pattern directions.  I don't mind the hand sewing, and adding the lining piece by piece gave me a lot more control over the neckline and midriff opening.


The only real design change I made was adding a gusset to the center back seam.  I have mentioned before that I am not a fan of a center back slit.  They always wrinkle in odd ways and end up splayed open when you walk, or worse still, ripped all the way up the back to the zipper.  (We have all seen that person walking on the street who has no idea that her center back slit has decided to go for broke - I would rather that wasn't me.)


I think this is a much nicer way to go, and it adds a nice swish to the skirt silhouette.


I would have preferred a slightly larger wedge of fabric, but I was working with scraps, and this was the best I could do.


For the midriff opening, I used organza scraps and this technique to protect those points.


And, of course, the skirt was lined.  Got to cover up all those catch-stitches!


So far, so good!


As I mentioned before, this dress does not have an easy bra solution, so I added a pair of sew-in cups.  They do not need a whole lot of securing, just a few catch-stitches where there is some seam allowance available for tacking.


The most challenging part of that was making sure the placement was correct and then keeping the darn things stationary while I stitched them in.


I really wish that I had a larger hem allowance to work with, but I shouldn't be complaining - there was barely enough fabric to get the dress cut, so here is where I had to compromise.


I like to catch the underlining to the fashion fabric just inside the hem so the two layers will not shift over time.


And the final bit of business was hand stitching the midriff lining in place.


So many raw edges to cover.  Actually, I ended up pinking those bits so the raw edges were not nearly as messy as this picture!


It may be a bit much, but I reinforced the midriff cutout on the lining piece.  Might as well take the extra five minutes, right?!


I also catch-stitched the seam allowances to my underlining throughout the piece.


There is a lot of hand sewing in this dress!  


Which, let's be honest, is my favorite part.


Fully lined, and almost ready to wear . . .


Almost there, I promise!


I was out of black grosgrain ribbon, but I did have this red petersham from Britex which I thought was a fun surprise on the inside of the garment.


A couple of ribbon hangers . . .


and some sleeve hemming (with very little hem allowance to spare!) . . .


and a thread tack or two . . .


and we are finished!!



This is a syndicated post. Please visit the original author at Lilacs & Lace

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