Miss Vesper Makes Her Debut: Butterick 6226

June 5, 2017   /   byMary Danielson  / Categories :  Feeds

Good afternoon, kittens! 

As my five month lapse in blogging may tell you, sewing dropped low on my priority list in 2017. This has been an eventful year, in both extraordinary and harrowing ways. We've planned and unplanned international moves (on hold for a few years), grappled with the possibility of major career changes (avoided, thank heavens), and are now getting ready for a new family member this fall. 

That last one is, obviously, the biggest and best news. We'll be welcoming a wee baby girl in September! Sam and I couldn't be more excited about this incipient little one. We've decided on  her name, picked out a nursery theme, and looked at reviews of more strollers than I knew existed. What I haven't done much of, however, is maternity sewing. After confirming that everything was on track in early February, I canvassed the internet for maternity patterns, ordering scads of both contemporary and vintage designs. Then...promptly sewed none of them.

Did you know that pregnancy has side effects? Shocking, right? I was lucky enough to avoid the morning sickness, but not some skeletal issues that make sewing for long periods of time difficult. I'm managing them well, but only by being exceedingly careful about how long I spend sitting. 

Or standing. 

Or walking. 

Or doing pretty much any one thing for long periods of time. 

Not that it's all doom and alignment gloom around here. Pregnancy has been a joyful experience, aside from navigating side effects, even if it has put a cramp in sewing binges. Thankfully, I haven't actually needed real maternity clothes until recently. Other than switching out to stretchier pants, most of my established wardrobe worked for the first twenty-or-so weeks. Colette Monetas, Myrtles, and Cashmerette Turner Dresses were in heavy rotation, but even my looser shirtdresses are only now becoming uncomfortable. 


It's getting to be that time, though. Strangers aren't asking about due dates yet, but the bump becomes more noticeable each day. Billowy maxi dresses and heavily gathered skirts suddenly sound glorious. I want to swath myself in pretty fabric, without having to worry about constricting waistbands. 

Maternity sewing will have to be slow, but hopefully I can produce a few pretty pieces for these last four months. To begin that quest, I chose Butterick 6226, a pattern that actually has positive reviews as a maternity and non-maternity dress. I love the idea of making clothes with more longevity than this summer. This pattern features a pullover, vaguely caftan-esque dress with cap or draped sleeves, three hem lengths (tunic, below-the-knee, and maxi), and even a jumpsuit variation. 
Naturally, I opted for the dramatic maxi of View E. Hooray for yards and yards of soft, drapey fabric! 

For this first version, I chose an Italian Blue and Green Floral Printed Jersey from Mood Fabrics, who have upped their knit selection lately. They have heaps of gorgeous rayon jerseys right now, though I fell head over heels for this digital, striated blue rose print. (Plus its red colorway sibling, which is also sitting in my stash.) The fabric is ideal for a billowy summer dress--cool to the touch, breathable, and not too heavy for such a gigantic skirt. It also ironed surprisingly well and didn't curl up at the ends, which is a nice change from cheaper rayon knit fabrics. 

It was even more welcome, considering how infuriating its pattern partner was. I love the final result, but the construction process made me fume. So much so that I've made a list of grievances, because yeah, I'm that annoyed. 



Gripe #1: Sizing

I've been bitten by Big 4 knit sizing, in the past. If I'm thankful to Indie pattern companies for one thing, it's introducing reasonable ready-to-wear ease standards into knit sewing patterns. This may be a maternity dress, but there is no reason that a pattern designed for moderate stretch knits should have over five inches of ease at the bustline. Good heavens, I want bump coverage, not my own rose-printed pop up tent!

Thankfully, other reviewers noted this issue. I heeded their advice and chose my size based on the finished bust measurement, which put me at a Size 16, well under my Butterick-advised 20/22 combination. This pattern would've been consigned to back-of-the-closet hell, if I'd chosen any larger.

If you make this pattern, do not under any circumstances, choose your printed size. Consider this your dire warning.

The requisite "Look! There's a human inside that blogger!" photo. 

Gripe #2: Nonsensical Construction Methods

Y'all, knit patterns should not be this fiddly. While the skirt is easy enough, the bodice is one absurd process decision after another. The side panels are not actually over-the-bust princess seams, but under-the-arm panels that do nothing but make your life harder. They do not form a smooth armscye curve, but instead a bizarre, half-sewn, half-open seam that makes getting a clean finish impossible. I ended up sewing them all the way up, instead of stopping inches short as instructed, and using loads of steam-a-seam, just to get a workable finish that didn't burn my eyes.

Worse yet, the sleeves. I knew they weren't traditional sleeves, from other reviews, but I didn't fully realize how ineffective they were. You see, they're not sleeves at all. They're just floppy fabric rectangles that partially cover your upper arms.

I just...

Why...

By all that is holy...

Look, I know pregnant women run hot, but that doesn't mean we need an open ventilation chamber under our arms. If I'm adding elbow-length sleeves to something, it's because I want actual sleeves, not dainty little fabric blankets to cover my biceps. The mess of a half-finished armscye and faux sleeves was too much to handle. I didn't add them after all and started contemplating a pattern-for-kindling bonfire.

Hair frizz + armscye of doom!

Gripe #3: Final Fit

A reminder: I went two sizes down in this pattern. Take that into consideration and look at the above photos. That obscenely low armscye! That halfway-down-my-sternum neckline! Can you imagine what the correct size would've looked like? I expected to wear a camisole under this pattern, which is good, because it would be unwearable otherwise. 

The armscye needs to be raised three inches, while the neckline needs an additional two. I also need to rotate the shoulder back a hair, but that's a spectacular non-issue, when compared with the other two. Admittedly, the long skirt is weighing the bodice down some, but it was designed for this skirt. This was all somehow intentional. Oof. 

The next time I make this, I'm redrafting the bodice entirely, eliminating the side panels and raising the arsmcye/neckline to reasonable levels. 

Oh look, an unironed hem! Sorry, kittens. I was apparently so blinded with anger, that I didn't press the hem upon finishing.
Aside from the barely contained process rage, I like this dress. A lot. 

Somehow, all the messy parts came together for a flattering, glamorous garment that receives a ton of compliments out in the world. It's bit Greek goddess, a bit ritzy resort collection caftan. That's a combination that is definitely my speed, these days. 

Even better, there is a ton of room for growing a human in this dress. Right now, it makes me look more pregnant than I look in other clothes, just from all that extra fabric in the front. Later this summer, that gathering is going to be a lifesaver! After I finish altering the bodice, I'm going to make a few more short and long versions of this dress. Though, perhaps not the jumpsuit. I can only imagine the alterations that variation might need! 





This is a syndicated post. Please visit the original author at Idle Fancy

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Ida Clutch Bag

I have something a bit different to show you today, which is this little clutch bag that I made for my sister, who absolutely loves it.  I first spotted it on Instagram when Kirsten from Fifty Two Fancies made it, and instantly though that my sister would like it.

 

The pattern is called the Ida Clutch Bag, and is a free pattern from Kylie And The Machine.
One of the bags on the introduction page is leather, as is Kirsten’s, and I really loved them, so decided to give it a go myself.  

Much googling finally brought me to Leather4Craft on ebay, where I bought some veg-tan goat skin leather for £22.00.  It came as a rectangle of leather, which I stupidly forgot to measure, and is lovely and soft.  There was more than enough for this little bag.
More googling was done on cutting and sewing leather.  I used my rotary cutter to cut it out, and pattern weights to hold the pattern piece down.  I say pattern weights, it was really my phone and some masking tape…

You can maybe, sort of, judge the size of the leather from this photo.  There was enough leather to the top to cut out another pattern piece, and there was a bit left over that is probably about half as wide as the bit that my rotary cutter is sitting on.
Sewing the leather turned out to be a lot easier than I thought, but leather needles are a must.  I practised a dart on some scrap leather first, and my machine handled it beautifully.  Sewing leather is a bit of a one shot deal, you don’t want to be unpicking, and my walking foot was great.

I marked the point of the dart with a pin, which left a little hole in the leather, then clipped the dart ends within the seam allowance.
 
I marked the dart legs with a pencil on the wrong side of the leather.
 
I obviously couldn’t use pins on the leather, as they would leave little holes, so I used a mini clothes pegs to hold everything together.  Quilting clips would be great, but I don’t have any.
 
 This is what the darts look like from the wrong side,
 
And this is the right side.
 
The instruction page on the interfacing mentions that the sample leather bag is interfaced (I think it’s in the comments), but I was a bit too scared to try that!  So I just interfaced the lining.  I used a medium weight interfacing for the whole bag lining (Piece B), and then a woven interfacing on top for Piece C.

I added an inside pocket, and made it as big as I could without interfering with the darts.  It’s big enough for a phone.

Next came inserting the zip, and the instructions for it are brilliant.  I didn’t take any photos of it, but here’s what it looked like when it was finished. 
The pin in the photo above is marking the tailor’s tack for the snap placement, which leads me on to attaching the snaps.  I wasn’t looking forward to this, because I was afraid of ruining the leather.  But some more googling showed me how to do it.  
Everything I read called for interfacing, but, as already mentioned, I didn’t want to interface the leather.  So I didn’t use any, and it’s grand.  Here’s what I did.
First of all, I practised on a leather scrap!  The snaps have two prongs on the back that are secured with a little washer.   
 

I stuck a pin through the lining and leather where the tailor’s tack was (the tack was just in the lining), to mark the snap position on the leather.  Then I used the washer as a template, and marked the position of the prongs with a pen (making sure it wouldn’t bleed through to the front!).

 

Admire that lovely top stitching!
 

 

Then I snipped into the leather using some embroidery scissors.

The prongs on the snap go through the holes from the front, then it is held in place with the washer.  I just put it through the leather, so the snap is not visible on the inside of the bag.

Here’s what it looks like from the right side.

I did the same with the other snap, and here’s what it looks like when it’s closed.

As suggested in the instructions, I sewed the edges of the bag with a zipper foot.  It was tricky to get over the closed end of the zip, and I ended up just turning the hand wheel.

I’m delighted with how this little bag turned out, and leather definitely isn’t as tricky to sew as I thought.

Now I sort of want to make a leather purse…  Have a great weekend,
Lynne
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New Look 6500 shift dress: a simple pattern that I couldn’t leave unmodified

How much adjustment do you do on a very simple pattern? Do you feel it’s worthwhile to make very small changes to get it just right or perhaps you sew up simple things as is and save your efforts for a special dress or coat.
This simple dress pattern is something that I choose as one of the suggestions for my Sew a Dress class at Hello Stitch in Berkeley. (scheduled again for Sun. July 30 – the first one was great fun. More details at the bottom of this post on all the upcoming classes). As it happens Craftsy asked me to write a longer post outlining all the steps to sew a simple dress, consequently I decided to sew up this pattern and get a lot of things done with one project. Plus I’ve been on a shift dress kick lately. They are such simple and pleasant things to wear. Since it was 107˚F in the SHADE here yesterday I would rather have worn a dress made of ice cubes but since that is not going to happen a shift dress it is.

batik shift dress

I have had this fabric in my stash for a good 5 or 6 years. It’s a cotton batik that I bought in Hawaii, quite a large amount (5 yards) and just never found a use for it. Slightly heavy as a lot of batiks are, so not really good for most dresses plus the vertical stripe had me stumped. I think I found the perfect style for it that uses the stripe best. Plus I can wear my stripes navy blue espadrille sandals – double win.
Here’s the pattern envelope, with a sneak peek of a subsequent version of this dress. Which everyone has gone wild for on my Instagram teases, embroidered denim must be the thing this summer. The envelope says D0569 but all the pattern pieces say New Look 6500 so I’m calling it that. I really like New Look patterns, they come up with some super cute dresses and tops, plus they include all sizes in one envelope and cost $ 3.99 all the time.

New Look Shift dress pattern

batik dr front view

Onward to my adjustments: I sewed this dress for the Craftsy post, not as a wearable but as a “photograph-able” item, i.e. something that would really show in the step-by-step tutorial but I had no intention of wearing it. It was actually quite a pleasure to just sew up a dress with no changes, I sewed the size 12 and went from there.
Here is the version I sewed for Craftsy, in a quilting cotton that I had in my stash, I think a remainder from a project I did for someone on Etsy ages ago. And I really loathe this color of green so don’t even tell me that you like this dress on me 🙂 Plus for the most part sewing/wearing garments with quilting cotton is a bit NO for me. With some exceptions they always look a bit off: too wrinkly, too juvenile, too unsophisticated to claim my interest.

green shift dress

green shift dress3

But I include the photo of me wearing this one to show the neckline fit. That neckline was choking me – I don’t like that high round neckline and when you move your head forward it’s so uncomfortable. Good shoe match thought, right?

Back to the blue and white batik version. Can you see the difference in the neckline? It is so much more comfortable for me in the second version. I wanted to figure out exactly how much to open the neck so I made a version of just the top half of the dress in swedish tracing paper – and every time I use that I remember that is has absolutely no give. While it seems like a good idea because you can sew it – putting it on is not so easy. I did put a zipper so I could actually try it on – which worked in the end but it was kind of shredded. However it was good enough to slice and dice a bit, figuring out how I wanted the final neckline to be shaped.

neckline comparison

I cut out the batik version based on my new neckline, and basted it together at the shoulder seams to see if I liked the neckline. It still seemed a bit too high for my preference and also I like the armholes to be more cut in at the shoulder in a sleeveless dress. So instead of cutting more off the edges of the dress I made a one piece facing for front and back, and then used tracing paper to mark a seam line. At the neck I took away a further 5/8″ (total seam allowance now 1.25″) and then on the armholes I think I sewed it at around 7/8″ which makes the armhole a bit bigger all around. You have to be careful that it doesn’t make the armhole too low but this dress had a very tight armhole so there was plenty of room.

batik dress facing new seam

On my next version of this dress (the embroidered chambray fabric)  I’ll show how I make the one piece facing plus this upcoming version is lined so it incorporates facing and lining together.

The original New Look pattern had separate neck and armhole facings which works ok, not my preference but not as horrible as some make it out to be. But there’s a better way. Another option for these simple summer dresses is bias binding but I wanted to show the traditional or basic type of dress sewing.

But we are not done yet! In fact this adjustment should have come up first in my writing but I only remembered to take this picture a few minutes and include it. The bust dart on this dress is both large and high. I measured it on the pattern piece and could see that it needed to be lower so I did that before I did anything else, just a straightforward shift downward about 3/4″. The bust dart is kind of larger than it would be had there been other darts (vertical waist darts)  or other shaping. Trying it on it made the dart a bit too pointy – not my favorite look. So I reduced the width of the dart.

dart adjustment on shift dress

On the tracing paper on the left you can see the faint outline of the original dart, too high. The second placement, lower but too big, and then the final version in the purple dotted line, just right. I sound like Goldilocks don’t I but if you’re going to do adjustments you might as well go all the way until you like the fit.

Batik dr side and back view

Back and side view, you can barely see the dart but that is the ideal, at least for me. Since the side seams were not even in length I split the difference at the top of the seam at the armhole and sliced off about 3/8″ off the side back at that point. Worked out fine.

batik dress front 2

So that’s chapter one on my summer shift dress extravaganza. I have some more complex things in line for my sewing table but not sure what order I will sew them.

Here’s the link to that Craftsy post: The Complete Beginners Guide to Sewing a Dress.

Update on classes at Hello Stitch Studio on Berkeley. The Fit Lab was great – we are going to schedule this class again soon. In July we are repeating Saturday classes for sewing Skirts, Tunic Tops, and a new on starting on Wed 7/26 in the evening is a Button-front shirt class. All these classes are two sessions scheduled a week apart so not a long term time commitment and you will get a project done (or nearly) and learn some new and useful techniques. The Dress class is an all-day one on Sun. 7/30. FYI: I’ve found parking to be surprisingly easy around the studio and it is no more than a 10 minute walk from the Berkeley Bart station so really convenient to get to.

This was yesterday afternoon. Survival mode with an iced coffee. thankfully lots cooler today (ha ha only mid 90’s˚F).

thermometer


Happy weekend sewing,
Beth

today’s garden photo, this white daisy just looks so calm and cool, even in this heat!

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Surprise Watercolor Drawings

Surprise Watercolor Drawings are a fun way to paint! Kids can make their creations, give them to a friend, and watch as their friend uncovers the magic drawing using watercolor paint! We’ve partnered with Imperial Sugar to bring you this fun activity, featuring sugar glue that you can make at home!   Surprise Watercolor Drawings…

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